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Catherine de Zegher (born in Groningen, NL) is a prominent international curator and contemporary art critic and art historian. Since 1996 de Zegher has been one of the most influential curators of contemporary art and a major influence on feminist art history.〔(Catherine de Zegher page at The MIT Press. )〕 Currently, she is the Director of the Museum of Fine Arts, Gent (Belgium).〔http://www.mskgent.be/en〕 She was the curator of the Australian Pavilion at the 55th Venice Biennale in 2013 and the curator of the 5th Moscow Biennale.〔(Catherine de Zegher biography ), 5th Moscow Biennale.〕〔(Kris Kulakova, "Moscow Shines Once More: The Fifth Moscow Biennale Of Contemporary Art" ), The New Contemporary.〕 De Zegher was the artistic co-director of the 18 Biennale of Sydney, Australia〔(Rachel Kent, "Catherine de Zegher and the 18th Biennale of Sydney" ), ''Art & Australia'', Winter 2012.〕 in 2012.〔(Venice Biennale. )〕 ==Exhibitions and Publications== Catherine de Zegher's most recent book is an anthology of collected essays on contemporary women artists written over 13 years: ''Women's Work. Is Never Done''.〔http://www.artbook.com/9789490693473.html〕 In 2012, de Zegher edited ''All our relations'' (18th Biennale of Sydney).〔Women artists〕〔(Catherine de Zegher, "Women’s Work. Is Never Done". )〕 Catherine de Zegher wrote ''On Line. Drawing Through the Twentieth Century (1910-2010)''〔http://www.moma.org/visit/calendar/exhibitions/971〕 as a curator of an exhibition by that name〔http://www.moma.org/visit/calendar/exhibitions/971〕 at the Museum of Modern Art in New York. In 2010 she has curated the exhibition ''Alma Matrix: Bracha Ettinger and Ria Verhaeghe''〔("14 May – 1 August 2010, Alma Matrix. Bracha L. Ettinger and Ria Verhaeghe". )〕 in juxtaposition with ''Eva Hesse. Studioworks'' (2010) at the Fundació Antoni Tàpies in Barcelona. De Zegher was the Director of Exhibitions and Publications at the Art Gallery of Ontario in Toronto in 2007-09 and the Executive Director and Chief Curator of The Drawing Center in New York in 1999-2006 and Editor of its ''Drawing Papers''. She was previously co-founder and Director of the Kanaal Art Foundation (Kortrijk, Belgium, 1988-1998). De Zegher came to prominence after she had curated ''Inside the Visible: An Elliptical Traverse of Twentieth-Century Art in, of, and from the Feminine'' at the Institute of Contemporary Art in Boston〔''Inside the Visible''. Edited by Catherine de Zegher. Boston: MIT Press, 1996.〕 in 1996. The exhibition was accompanied by an important book (MIT Press).〔http://centaur.reading.ac.uk/25991/〕 Her exhibitions accompanied by books and catalogues include: Mona Hatoum: Beyond the Violence Vortex into the Beauty Vortex (2011); Bracha L. Ettinger: ''Art as Compassion'' (2011), co-edited with Griselda Pollock;〔Catherine de Zegher and Griselda Pollock (eds), ''Art as Compassion. Bracha L. Ettinger''. Ghent: MER. Paper Kunsthalle & Brussels: ASA Publishers, 2011. ISBN 978-94-6117-008-8〕 Cristina Iglesias: Deep Fountain (2008); Julie Mehretu: Drawings (2007); Freeing the Line (2007); Eva Hesse Drawing (2006);〔de Zegher, Catherine M., ed. ''Eva Hesse Drawing''. NY: The Drawing Center & New Haven: Yale University Press, 2006.〕 Joelle Tuerlinck: Drawing Inventory (2006); ''3 x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz, and Agnes Martin'' (2005);〔de Zegher, Catherine M., and Teicher, Hendel, eds. ''3 X Abstraction''. NY: The Drawing Center & New Haven: Yale University Press, 2005〕 Richard Tuttle: ''It’s a Room for 3 People'' (2005); Giuseppe Penone: ''The Imprint of Drawing'' (2004); ''The Stage of Drawing: Gesture and Act. Selected from the Tate Collection'' (2003); Anna Maria Maiolino: A Life Line/Vida Afora (2002);〔http://www.rochester.edu/in_visible_culture/Issue4-IVC/de_Zegher.html〕 Untitled Passages by Henri Michaux (2000); ''The Prinzhorn Collection: Traces upon the Wunderblock'' (2000),〔''The Prinzhorn Collection: Traces Upon the Wunderblock''. Drawing Papers, n. 7. NY: The Drawing Center, 2000.〕 and Martha Rosler: Positions in the Life, 1998. She co-edited with Carol Armstrong ''Women Artists at the Millennium'' (MIT Press).〔''Women Artists at the Millennium''. Cambridge Massachusetts: October Books, MIT Press, 2006. 35–83. ISBN 978-0-262-01226-3.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Catherine de Zegher」の詳細全文を読む スポンサード リンク
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